This is a question that I’m being constantly asked.
So let me explain how it works.
For starters, the film is, in Johnnie Walker’s words, brand new. It was only finally completed about 4 weeks ago.
For the film to be screened in the US, and in other territories outside Australia and New Zealand, it needs to be acquired by distributors in those territories.
This is a film that needs to be seen in a cinema, and so a fundamental requirement with buyers is that the film must have a guaranteed theatrical release.
We are in no rush to have this film go out on a streaming platform.
We’re looking for distributors who will handle the film with the care, skill and commitment that Marc Wooldridge and his team at Maslow Entertainment have brought to their release in Australia and New Zealand.
Our strategy?
Simon Crowe, our foreign sales agent based in the UK, screened the film at the recent Cannes Film Festival in the Marché. Already he’s had offers.
The outstanding success of the film in Australia and New Zealand ($1m+ in the first two weeks) has caught the attention of foreign buyers. So we’ll wait and see.
Don’t sit at home thinking that it’s going to come to Netflix or another streamer anytime soon.
That’s not going to happen.
If you want to see the film, go to a cinema. That’s where this film should be seen – shot in wide-screen format and with an exceptional soundtrack, it really is a big screen experience.
And the Camino – the star of the movie – really needs to be experienced in its full glory.
![](https://pgstheway.com/wp-content/uploads/2024/06/img_0914.jpg?w=1024)
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